![]() At the same time, the song examines how animals hold their own sense of value that isn't fully understandable by humans, describing a hen as envisioning heaven as being full of roosters to mate with and corn to eat, complete with God as "a very old rooster" and Jesus as a bundle of eggs. Blue-and-Orange Morality: Examined in "Every Day is a Miracle", which notes how most animals don't have the same concept of sentimental and communal value as humans by describing how a cockroach could eat The Mona Lisa without a second thought and how The Pope has no meaning to a domestic dog.Black Comedy: "Bullet", a flowery-worded song about being fatally shot from the perspective of the bullets (whether or not it's the same guy or a different one each verse is never clarified).Bigger Is Better in Bed: Lightly parodied in "Every Day is a Miracle", in which Byrne jokingly brags about having "the dick of a donkey.".Animated Music Video: "Everybody's Coming to My House" features three (and then many more) drawings of Byrne's face both mouthing along to the song and dancing to it these same faces also appear on the CD and LP disc labels.chickens, donkeys, and even cockroaches in addition to the aforementioned dogs). Animal Motifs: Used throughout "Every Day is a Miracle" and "Dog's Mind" to examine the subjectivity of morality and social concern, with both including comparisons to dogs and the former placing particular focus on animals one might find on a farm (i.e. ![]() All There in the Manual: The interior of the album's gatefold features an essay by Byrne explaining the goal of the album and the impetus behind it.There's only one way to trope a flower, but there's millions of ways to be free "Everybody's Coming to My House" (3:30).A Concert Film based on the tour, directed by Spike Lee, debuted in late 2020, marking Byrne's first concert film since the Direct to Video Between the Teeth - Live in 1993 and his first theatrical concert film since Stop Making Sense in 1984 (acting as a Spiritual Successor to both).Īmerican Utopia was supported by one single: a digital-only release of "Everybody's Coming to My House". Promoting the album also brought Byrne back into the mainstream limelight after decades of sitting comfortably as a cult hit post-Talking Heads, with Byrne appearing at the Coachella 2018 festival, conducting both an expansive US tour and a Broadway show over the course of 20, and performing on Saturday Night Live at the start of 2020 (his first appearance on the show since 1989, his second appearance there as a solo artist, and his third overall). ![]() 3 on the Billboard 200, it was his first solo record to enter the top ten, further topping Billboard's Top Rock Albums chart and becoming the 74th best-selling album of 2018. The end result was Byrne's biggest commercial success since his Talking Heads days: debuting and peaking at No. ![]() Scottish indie producer Rodaidh McDonald also provides co-production duties alongside Byrne himself, with the union of the three's musical preferences resulting in a unique modernization of Byrne's Signature Style. Production-wise, the album sees Byrne working with recurring collaborator Brian Eno again for the first time since Everything That Happens Will Happen Today ten years prior, and marks Byrne's first collaboration with Eno to feature the latter as just a producer rather than a co-musician since Talking Heads' landmark album Remain in Light all the way back in 1980. True to the project, the album covers themes of optimism and a hope for the betterment of the United States and the search to truly fulfill the idea of all men being as equal as they are in creation. American Utopia is the seventh solo album (and tenth studio album overall) by Scottish-American art pop musician David Byrne, released in 2018 through Nonesuch Records & Todomundo.Ĭreated as a part of Byrne's wider "Reasons to Be Cheerful" project, which examines the perseverance of optimism in the face of the increasing bleakness of the world during the early 21st century (a concept stretching back to 2008's Everything That Happens Will Happen Today), the album melds together Byrne's trademark leftfield brand of world-infused art pop and the thudding electropop that rose to prominence over the course of the past two decades.
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